![]() ![]() ![]() Later this year, they will be sold at auction, with the majority of proceeds being donated to charity. “This collaboration just goes to show how iconic heritage designs continue to inspire and evolve over time,” said David Obel Rosenkvist, CCCO at Louis Poulsen.Įach of the designs were exhibited in Copenhagen last week, during the 3daysofdesign festival. Colour-wise, the pieces have been inspired by Louis Poulsen’s Pale Rose Collection, with the pallette featuring pastel blushes and blues alongside brighter shades of orange and pops of pink. To create each piece, Box and Dupont worked closely alongside glassblower Elliot Walker, who is based in Birmingham in the UK. ![]() “Similarly, we did not graduate from any kind of design school but have worked and invented based on a mixed background of fashion, art and film with a very hands-on approach to our design.” “ approach to design is a big inspiration to us, as is his pure energy for life, taking what was old and making it his own,” they said. On face value, you wouldn’t necessarily place the work of these Danish design masters next to the abstract and artistic impressions of Home in Heven, but the designers cite Henningsen in particular as a huge inspiration for their own multifaceted practice. Across each piece, the Home in Heven duo – made up of Breanna Box and Peter Dupont – has applied their own signatures, from horns to tentacles. The model was also played by Mike Bloomfield with the Group in 1964, and both original and longer Duo-Sonic II models were hoisted by Rory Gallagher, Walter Becker, David Byrne, Liz Phair and Dweezil Zappa.Debuted during the 3daysofdesign festival in Copenhagen, the unique pieces were based on iconic designs crafted by by Poul Henningsen and Vilhelm Lauritzen, such as the PH5 and the VL45 lamps. Jimi Hendrix was photographed playing two different late-’50s or early ’60s Duo Sonics, in Desert Sand and sunburst, respectively, while backing both Curtis Knight and the Isley Brothers. Underneath those plastic pickup covers lurk single-coil pickups that are similar to Stratocaster pickups of the era, but with flush pole pieces.ĭespite its diminutive status, the Duo-Sonic racked up quite a roster of pro players over the years. In addition, the model’s toggle-style pickup selector was swapped for two slider switches, one above each pickup, as found on the Mustang. The Duo-Sonic II also gained the option of a somewhat longer 24-inch scale length, although 22.5-inch versions remained available for a few years. Jimi Hendrix was photographed playing two different late-’50s or early ’60s Duo Sonics, in Desert Sand and sunburst, respectively, while backing both Curtis Knight and the Isley BrothersĪs a result, many such models from the mid ’60s and after are even heavier than their larger-bodied, 25.5-inch-scale siblings. In later years, particularly when the Duo-Sonic II arrived in late ’64, Fender switched to poplar for most of these, including the Mustangs that would join them. Like Fender’s other notable guitars of the period, early Duo-Sonics had bodies made of ash and alder. A sunburst finish was available around 1960, by which time a rosewood fretboard had been added and the aluminum pickguard switched out for white plastic. The ’50s maple neck with an integral maple fretboard is an unusual thing on any student-model Fender, and the white plastic pickup covers and anodized aluminum pickguard present some tastefully contrasting styling.įender offered the Duo-Sonic only in Desert Sand finish for its first few years of production. Fender 1957 Duo-Sonic in Desert Sand (Image credit: Tom Dumont)Įarly examples, like the ’57 displayed here, carry the features collectors and many players most like to see in these guitars. ![]()
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |